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The end of the year traditionally brings a wealth of bestof candidates, as major studios and studioaffiliated arthouse labels unveil their most austere and. D23 is upon us this weekend, and with it, a new behindthescenes glimpse at the next chapter in the Star Wars saga. But although the movie didnt offer us a full. DVD and BLURAY REVIEWS INDEX Alphabetical listing, divided by studio, of all our DVD and Bluray reviews. DVDs, if not specified. Sortable DVD Bluray Review. Blockbuster Cartoons How To Train Your Dragon 2 ' title='2010 Blockbuster Cartoons How To Train Your Dragon 2 ' />During this period, many large American entertainment companies reformed and reinvigorated their cinematographic animation departments following a general decline during the 1. The United States has had a profound effect on animation worldwide. Disney editAt the start of the 1. Walt Disney Productions had been struggling since Walt Disneys death in 1. Don Bluth and eleven other associates from the animation department dealt Disney a major blow. Bluth formed a new studio, in direct competition with Disney. Disneys Nine Old Men, the animators responsible for Disneys most famous earlier works, and their associates began to hand their traditions down to a new generation of Disney animators. New faces such as Glen Keane, Ron Clements, John Musker, Andreas Deja, and others came to the studio in the late 1. The Rescuers, Petes Dragon a live actionanimation hybrid, and The Fox and the Hound, as well as the featurettes The Small One Bluths only Disney directed credit and Mickeys Christmas Carol the first screen appearance of Mickey Mouse since 1. At the same time, animator Steven Lisberger brought to the studio a concept about a computer programmer who is launched into a computerized world. The film would mix live action sequences with computer animation, which had not yet been used to such an extent. The studio was impressed with the idea the result was an ambitious 1. Tron. While Disneys stock dropped four percent after a screening for unenthusiastic investment analysts,2 and in spite of only moderate grosses at the box office,3Tron received enthusiastic praise from film critic Roger Ebert,4 became a cult favorite and turned outmany years laterto have a greater influence on animation at Disney and elsewhere than expected. In 1. Disney became the target of a corporate raid by Saul Steinberg, who intended to break up the company piece by piece. At the same time, Roy E. Disney, who had already resigned as President in 1. Board of Directors in order to use his clout to change the status quo and improve the companys declining fortune. Shark Bait Stream. Disney escaped Steinbergs attempt by paying him greenmail, but in its aftermath CEO Ron W. Miller resigned, to be replaced by Michael Eisner. Roy Disney, now back on the Board as its Vice Chairman, convinced Eisner to let him supervise the animation department, whose future was in doubt after the disappointing box office performance of its big budget PG rated feature, The Black Cauldron. The studios next release, The Great Mouse Detective, fared better in relation to its significantly smaller budget, but it was overshadowed by Don Bluths An American Tail,6 another film featuring mice characters that competed directly with Mouse Detective in theaters. In 1. 98. 8, the studio collaborated with Steven Spielberg and Robert Zemeckis, producing Who Framed Roger Rabbit, a comedic detective caper that mixed live action and animation while paying homage to the Golden Age of Cartoons. Disney characters appeared with characters from Warner Bros., Metro Goldwyn Mayer, Universal Pictures and other rival studios for the first time in animation history. The film was a huge box office success, winning four Academy Awards, reviving interest in animation made for theaters, and popularizing the in depth study of the history and techniques of animation. Several aging legends in the business, such as Chuck Jones and Friz Freleng, suddenly found themselves the center of attention, receiving acclaim and accolades after decades of being virtually ignored by audiences and industry professionals alike. Additionally, the release of many older Disney features and short cartoons on home video, and the 1. Disney Channel, renewed interest in the studio. Disney followed up Who Framed Roger Rabbit and its commercially successful7 1. Oliver Company with The Little Mermaid, an adaptation of the Hans Christian Andersen fairy tale with songs by Broadway composers Alan Menken and Howard Ashman. Mermaid was a huge critical and commercial success, won two Academy Awards for its song score, and became the first of a series of highly successful new Disney animated features. The studio invested heavily in new technology, creating the Computer Animation Production System to be used in tandem with traditional animation techniques. The first film to use this technology, The Rescuers Down Under, only grossed 2. However, the films that followed it, Beauty and the Beast and Aladdin, won rave reviews, received multiple Oscars, and topped the box office charts. Beauty and the Beast would eventually become the first animated feature to win the Golden Globe Award for Best Motion Picture Musical or Comedy and the first animated feature to be nominated for the Academy Award for Best Picture, followed by 2. Up. In 1. 99. 3, Disney released The Nightmare Before Christmas, the first feature length stop motion animated film. Disneys success peaked in 1. The Lion King grossed 3. As of 2. 01. 0, The Lion King ranked as the 2. United States. 1. Subsequent Disney films such as Pocahontas, The Hunchback of Notre Dame, Hercules, Mulan and Tarzan were box office and critical successes as well, albeit modestly so when compared to Disneys early 1. In 1. 99. 4, the death of Disney President and Chief Operating Officer Frank Wells, and the departure of studio chairman Jeffrey Katzenberg to co found Dream. Works, left Michael Eisner in full control of the company. At the turn of the century, films such as Atlantis The Lost Empire, Treasure Planet, and Home on the Range failed to meet the critical and commercial expectations set by the 1. Lilo Stitch and The Emperors New Groove. At the same time, the high level of popular acclaim bestowed upon Toy Story, the first film animated entirely using computer generated imagery CGI, sparked an industry trend. Based on the commercial success of Pixars computer generated animated films and other CGI fare especially Dream. Works Shrek, which contained numerous jabs at Katzenbergs former workplace and boss, Disney came to believe that CGI was what the public wantedso it ceased producing traditional two dimensional animation after Home on the Range, and switched exclusively to CGI starting with 2. Chicken Little. Public rifts grew between the animation staff and management, as well as between Michael Eisner and Roy E. Disney. Roy resigned from the board of directors in 2. He then launched the internet site Save. Disney. com1. 2 in an attempt to preserve the integrity of the company and to oust Eisner, who resigned in 2. Robert Iger succeeded Eisner one of his first acts as CEO was to regain the rights to Walt Disneys first star Oswald the Lucky Rabbit from NBCUniversal Iger did so by offering NBC the services of Al Michaels, a play by play host then under contract to Disney subsidiary ABC Sports, as a trade. After Disneys acquisition of Pixar in 2. Pixar executive producer John Lasseter became Chief Creative Officer at both Pixar and Disney, with a plan to reintroduce two dimensional animation, starting with The Princess and the Frog in 2. Television animation. After 3. 0 years of resisting offers to produce television animation, Disney finally relented once Michael Eisner, who had a background in TV, took over. The first TV cartoons to carry the Disney name, CBS The Wuzzles and NBCs Disneys Adventures of the Gummi Bears, both premiered in the fall of 1. Breaking from standard practice in the medium, the productions enjoyed substantially larger production budgets than average, allowing for higher quality writing and animation, in anticipation of recouping profitably in rerun syndication. While The Wuzzles only lasted a season, The Gummi Bears was a sustained success with a six season run. In 1. 98. 7, the TV animation division adapted Carl Barks Scrooge Mc.